Selections from the 20th Anniversary Concert, Metropolitan Mountain Top Celebration
Metropolitan Flute Orchestra, July 14, 2024
ContraJam!
Paige Dashner Long
Metropolitan Flute Orchestra, July 14, 2024
Symphony No 3 in A Minor, "Scottish"
IV. Allegro guerriero and Finale maestoso
Felix Mendelssohn, arr. Paige Dashner Long
Metropolitan Flute Orchestra, June 25, 2023
Metropolitan Flute Fantasy
Paige Dashner Long
Metropolitan Flute Orchestra, July 14, 2024
Double Trouble & ContraJam!
Paige Dashner Long
International Low Flutes Festival, Washington DC, April 2024
Flutenado
Paige Dashner Long
Metropolitan Flute Orchestra, June 25, 2023
Flight of the Bumblebee, from "The Tale of Tsar Saltan"
Nikolai Rimsky-Korsakov, arr. Nancy Nourse
Metropolitan Flute Orchestra, June 25, 2023
Squirrels: Divertimento for Flute Orchestra by Herman Beeftink
Metropolitan Flute Orchestra, June 25, 2023
Concerto La Primavera, "Spring" from The Four Seasons, by Antonio Vivaldi, arr. Bruce Behnke
Metropolitan Flute Orchestra, June 25, 2023
Across the Divide by Larry Tuttle
Metropolitan Flute Orchestra, Performed at Groton Hill Music Center, Groton, Massachusetts, June 25, 2023
Bach to the Fluture: A Modern Celebration of Famous Composers by Johann Sebastian Bach and Paige Dashner Long.
Allegro con fuoco from Dvorak's New World Symphony - arr. Paige Dashner Long Performed by Metropolitan Flute Orchestra, in summer residence at New England Conservatory; Boston, Massachusetts
Preludio from Bononcini Sonata No IV in G Major,
This is the first movement of Sonata IV, from a collection of four sonatas by Bononcini, arranged for low flute trio by Paige Dashner Long.
The Mouse and the Mountain King from Short Snippets for All Sizes-duos for two different size flutes by Paige Dashner Long
This extreme flute duet features the two instruments at each end of the flute family. The piccolo is at the top of the flute family and the double contrabass flute is at the bottom of the flute family. The double contrabass flute is rarely heard, especially in a duet. This amazing flute, with an excitingly different sound, is similar to pitched percussion, due to the very low range of sound.
Haydn's Toy Symphony, performed by Daytona State College and Community Flute Choir, Paige Dashner Long, Director
Danse Negre from Coleridge-Taylor’s African Suite - Arr Paige Dashner Long, performed by the Metropolitan Flute Orchestra, in summer residence at New England Conservatory, Boston, Massachusetts
Flutenado - The Daytona State College and Community Flute Choir; Daytona Beach, Florida
Chocolate Truffle Tango from Dancing Dessert Suite - National Flute Association's Low Flutes Committee (low flutes setting)
Lemon Merengue Pie from Dancing Dessert Suite - National Flute Association's Low Flutes Committee (low flutes setting)
Lowly Conversations - Flutastique!
Andante from Haydn's London Trio No 1 in C Major - arr. Paige Dashner Long Mariana Gariazzo, Deborah Rebeck Ash, Paige Dashner Long
The 2nd International Low Flutes Festival 2020 in Urayasu, Japan Fri. March 20- Sun. March 22, 2020 at Urayasu Concert Hall https://lowflutesfestival.org/ En...
Paige Long is a world-renowned flutist. She's also one of a small number of people who can play the three largest flutes in the flute family: the double subcontrabass, the subcontrabass and the contrabass. With tubing that stretches up to 22 feet in length, these instruments require a strong set of lungs to be able to carry a tune.
The 2013-2014 Virtual Flute Choir performs Peter Martin's Mixing the Malt, arranged and conducted by internationally renowned contrabass flute specialist and arranger Paige Dashner Long. The Virtual Flute Choir is an ensemble of flutists from across the globe who have submitted videos of themselves all performing different parts to the same piece of music.
Featuring conductor Paige Dashner Long and the Florida Flute Orchestra, playing "Tico Tico No Fuba." For more information on Paige and her flutes, please visit http://www.contraflute.com Video produced by David Martin for Fox News 35 in Orlando, Florida, April 6, 2009. Republished with permission from David Martin.